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After “The Wild”
The Jewish Museum / 2023

Exhibition Graphics

Exhibition graphics, booklet, and advertising designed for After “The Wild”: Contemporary Art from the Barnett and Annalee Newman Foundation Collection at the Jewish Museum. The title and wall text take inspiration from Betty Parsons Gallery’s signage—where Barnett Newman had his first solo show. The exhibition featured the work of 47 contemporary artists, all recipients of The Barnett and Annalee Newman Foundation Award. Designed with guidance from Yeliz Secerli.


Mark

The Jewish Museum
2022 – Present

A little bit of everything

Ephemera, signage, print and digital advertising, mailers, flyers, templates, wayfinding, and probably more that I’m forgetting, designed for the Jewish Museum with Yeliz Secerli, the museum’s Director of Design, and Claire Zhang.


Mark

Bastard
Coming soon :–)

Type Design

A display typeface lovingly named Bastard after its 15th century inspiration. The letterforms in Bastard are roughly inspired by the French Gothic typeface, Batarde or Bastarda, a blackletter script. The pixelated appearance represents a melding of the deep history of type, with contemporary digital design. This combination of the old with the new, as well as the name of the original blackletter script, inspired the name Bastard.


Mark

Marta Minujín: Arte! Arte! Arte!
The Jewish Museum / 2024

Advertising

Print and digital campaign to promote a survey exhibition of Marta Minujín at the Jewish Museum. Taking inspiration from Minujín’s interactive work—primarily Implosión—the digital ads were designed to reflect the artist’s overwhelming use of motion and color in her most recent work. Designed with creative direction from Yeliz Secerli and support from Lihao Zhu and Claire Zhang.


Mark

Sophie Studio
Freelance / 2021

Identity

Brand system created for a printmaking studio, reflecting the artistic process of printing. The project included one primary wordmark with two accompanying logos inspired by the studio’s work and processes—all used to represent their ever-changing practice. All print assets live on translucent paper, alluding to the use of tracing paper for transferring drawings.


Mark